The Last Days of the Lacuna Cabal

For the off-beat book readers and lovers of literature, The Last Days of the Lacuna Cabal supply much of what these types of readers are looking for - energy, imagination, and friendship. Although the characters are far from your garden-variety, everyday people, the story itself is unique and witty. If you enjoy storytelling and the artistry of epic literary works, The Last Days of the Lacuna Cabal is worth picking up and delving into.

The Last Days of the Lacuna Cabal
by Sean Dixon

“A heavily embroidered coming-of-age tale.... Energetic....Full of sound and fury.” —Kirkus Reviews

“Imaginative.” —Library Journal

“An unapologetically high-concept novel that is both giddy and reverential.” —Quill and Quire

The Last Days of the Lacuna Cabal by Sean Dixon is a mischievous rites of passage tale that takes place just as the Iraq war is exploding. The misfits and oddballs that make up the members of the Lacuna Cabal Montreal Young Women’s Book Club pride themselves on their good taste, intelligent discussions, and impeccable opinions. But what makes them different from other clubs is that they actually enact the books they are reading—until one of the books starts enacting their lives, so to speak.

And this book is The Epic of Gilgamesh—one of the earliest known works of literary fiction. As we know from the start, this epic poem begins “as an adventure story about a hero and his friend, but then somebody dies and everything changes and the hero goes on a long journey, in search of wisdom and the secret of eternal life.” Life imitates art, and our cast of characters set out on their own parallel journey to break their archetypes, discover their identities and places in the world, and grapple with the uncertainty of their futures.

The Last Days of the Lacuna Cabal is a wildly ambitious novel that is infused with literary references from Margaret Atwood to Anne Carson to Michael Ondaatje. While the story has a surface veneer of playfulness with its raucous dark humor, underneath lies a deep exploration of human fragility and loneliness. Sean Dixon has succeeded in creating an original work that resolutely redefines the postmodern canon of literature by bringing it back to its core—the power of storytelling.

About the Author
Sean Dixon is a writer, occasional essayist, stage actor, and banjoist. His work has been published in The Globe and Mail, This Magazine, Canadian Theatre Review, and Brick, A Literary Journal. He gave up jobs as a shipper-receiver, a poster boy (of the putting up on billboards variety), and a prison driver to become a writer. He lives and plays banjo in Toronto and is currently working
on his next novel.